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is full of wonderful melodies and radiates a great lightness
and many of the songs associated with this era came from earlier decades
French versions of two extremely well-known numbers by Franz Lehar from The Merry Widow and The Land of Smiles complete this panorama magnificently supported by the Orchestre de l'Opera National de Lyon and conducted by another rising star
and so there were a number of big hits which were performed a cappella
Sviatoslav Richter - Schubert: Piano Sonatas Nos. 16 & 17, Impromptu No. 2 Fulfilled By AEC is full of wonderful melodiesRichter's interpretations in these years had an elemental power, unselfconscious abandon that was refined and tempered in later life. These entirely unedited performances, given over more than three decades from the mid 1950s to late 1980s, feel not only live but somehow extraordinarily real. Not that Richter ever gives the impression of playing for the microphone, and his vision of musical structures remains constant whether in the studio or concert
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