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His rejection of pictorialism and embrace of photographic purity reshaped how photography was understood and practiced
instead exploring photography as a language of metaphor
192 pages with informative introductions to each photographer's portfolio by Hoy
The Post-Mao Transition: Photographs from the late 1970s and 1980 showing the beginnings of modernization
Bauhaus. The Theater of the Bauhaus. Introduction by Walter Gropius. Untitled (Friends of Photography) His rejection of pictorialism andWesleyan University, 1971. Softcover, first Wesleyan paperback edition, uncommon first printing, very good with evidence of use on covers, interior fine. 110 pages. Translated from the original German. Chapters by Oskar Schlemmer, Laszlo Moholy Nagy (also illustrations by him), and Farkas Molnr. Photographs by Consemller, T. Lux Feininger, Grill, Hatzold, Hollos, and Strauch Halle, as well as unidentified photographers. Summary: The Theater of the
