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I particularly loved the red dresses at this exhibition, including ex-Dior Creative Director Raf Simons sublime Look 21 in heart-stopping crimson, and one of Diors very first gowns, the Aladin, in a subtle but delectable garnet
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This impression is reinforced by the turning of her head in the viewer's direction, holding our gaze with a smouldering look
Was meist viel wichtiger ist als eine supertolle Location ist das richtige Licht denn das ist sehr oft das die Spreu vom Weizen trennt
This gothic gown has a steel bone corset structure that creates a striking silhouette
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