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Black designers and artists gained control of worldwide fashion trends and shaped both commercial music and mainstream fashion during the rave period

De la Haye and Tucker write: From 1996 to the end of the decade, the bohemian look became the overriding trend within womenswear at all market levels, incorporating the adapted ethnic embroideries of Belgian designer Dries Van Noten, the bold colour sense of young British designer Matthew Williamson and the irreverent mixtures of fabrics from Milanese design houses such as Marni and Fendi. (Laver 288) With the new casual, bohemian styles came low-slung jeans and crop-tops, which would be the hallmark of the coming decade

but Mathews at a 1998 Vogue party with Kate Moss, wearing louche bohemian dresses, definitely is

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