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The dress was embellished with fuchsia sheer ruffles below a silk-like, white fabric decorated with pink stitched flowers, stems and horseshoes
In February of 1956, Vogue published this cheeky excerpt from the then-upcoming Bergdorfs on the Plaza book: In the workrooms there are several thousand forms, each padded to the exact proportions of the customer it represents
"Thank you." The frock tartare was made mostly of an Argentinian cut called the matambre
Interfacing: It comes with quite clear instructions as well
